I feel it’s getting a lot tighter all round at the
moment schedule wise and a good few of the films are entering the fine cut
stage so good organisation is key, especially for those who have a collaborative
role within postproduction. As a result I have approached Aisling and Gery to
see if they can send me a postproduction plan. I’d be happy with even a loose
plan to follow, as it would mean I could best arrange commitments to my own
film whilst also ensuring that I can work on Colour Blind as an
editor to full effect and not just be turning up to edit at inappropriate times
for them.
They will both need to also find their own feet as
post-directors/producers at this fine cutting stage anyway, or at least that’s
how I like to work myself at this stage of the process.
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