Well I am happy to say that I have managed to pull off
a complete rough cut as agreed by last Wednesday evening. Personally I am happy
with it and I think Aisling is too. Gery is currently on work experience so I
will have to wait for her feedback once she returns.
There is a lot of theatrical surface drama, and even
melodrama in Colour Blind so the exchanges between characters
really set the baseline for the tone and feel for editing the film. The most
crucial factor of all is to ensure that Paul remains the lead character.
Aisling and Gery worked particularly hard in the script stages to ensure that
Paul’s story arc came to the fore and it’s my job to ensure that it remains so
in the edit. I’ll leave them both now to analyze as to what they want next for
the film and wait for them to let m now when they are really to move on to fine
cutting.
Screenshot example one of my edit sequences:
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